On the Power of Brevity

Karl Ove Knausgaard

The Atlantic

2015-04-30

“In the Bible, if it’s very important, it’s very short. If it’s not important, it’s very long. That’s a rule in almost all texts.”

“Though I haven’t shown this to anyone who’s mastered the language, so I may get everything wrong, this is my sense of the Hebrew original, when Cain has seen his sacrifice rejected by God: ”It burned in Cain and his face fell. Jehovah said to Cain: “Why do you burn, and why does your face fall?” The simplicity, and the complexity in the simplicity: It’s bottomless. These are texts people have written about for thousands of years, and keep having different kinds of understandings about. The text is so rich and complex that you can take out one element and look at it, and find it expresses something deeply true. It can support all kinds of different interpretations depending on the way you live, or when you live, or who you are.”

“writing My Struggle has been an exercise in giving up control. Every morning now, I write one page. I get up early and write one page in two hours. I start with a word. It could be “apple” or “sun” or “tooth,” anything—it doesn’t matter. It’s just a starting point—a word, an association—and the restriction that I write about that. It can’t be about anything else. Then I just start, without knowing what it’s going to be about. And it’s like the text produces itself.”

“I’m not talking about quality. For God’s sake, no. It’s not like this text ever looks good or anything. It’s just sitting there writing. Not thinking, and writing. I think it’s a state of mind, one I usually compare with music. When you watch musicians, they’re not thinking about what they’re doing, they’re just playing. Well, the same thing can be with writing. It’s just writing.”

“When you are not aware of yourself, you start to write things you have never thought about before. Your thoughts do not take the path they would normally have followed, and the thinking is different from your own. The language is in you, but it’s out of you, and it doesn’t belong to you. That’s what literature can do—when you throw something in, something else comes back.”


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