Exiting the Vampire Castle

Mark Fisher

The North Star

2017-04-28

“‘Left-wing’ Twitter can often be a miserable, dispiriting zone.”

“Brand makes people feel good about themselves; whereas the moralising left specialises in making people feed bad, and is not happy until their heads are bent in guilt and self-loathing.”

“For the moralisers, the dominant story was to be about Brand’s personal conduct – specifically his sexism. In the febrile McCarthyite atmosphere fermented by the moralising left, remarks that could be construed as sexist mean that Brand is a sexist, which also meant that he is a misogynist. Cut and dried, finished, condemned.”

“It is right that Brand, like any of us, should answer for his behaviour and the language that he uses.”

“But such questioning should take place in an atmosphere of comradeship and solidarity, and probably not in public in the first instance – although when Brand was questioned about sexism by Mehdi Hasan, he displayed exactly the kind of good-humoured humility that was entirely lacking in the stony faces of those who had judged him.”

““I don’t think I’m sexist, But I remember my grandmother, the loveliest person I‘ve ever known, but she was racist, but I don’t think she knew. I don’t know if I have some cultural hangover, I know that I have a great love of proletariat linguistics, like ‘darling’ and ‘bird’, so if women think I’m sexist they’re in a better position to judge than I am, so I’ll work on that.””

“The response to Brand quickly became as significant as the Paxman exchange itself. As Laura Oldfield Ford pointed out, this was a clarifying moment. And one of the things that was clarified for me was the way in which, in recent years, so much of the self-styled ‘left’ has suppressed the question of class.”

“Class consciousness is fragile and fleeting.”

“The petit bourgeoisie which dominates the academy and the culture industry has all kinds of subtle deflections and pre-emptions which prevent the topic even coming up, and then, if it does come up, they make one think it is a terrible impertinence, a breach of etiquette, to raise it.”

“I’ve been speaking now at left-wing, anti-capitalist events for years, but I’ve rarely talked – or been asked to talk – about class in public.”

“It’s also alarming, actually distressing, that they seem to think that working class people should remain in poverty, obscurity and impotence lest they lose their ‘authenticity’.”

“Where to go from here? It is first of all necessary to identify the features of the discourses and the desires which have led us to this grim and demoralising pass, where class has disappeared, but moralism is everywhere, where solidarity is impossible, but guilt and fear are omnipresent – and not because we are terrorised by the right, but because we have allowed bourgeois modes of subjectivity to contaminate our movement.”

“I think there are two libidinal-discursive configurations which have brought this situation about. They call themselves left wing, but – as the Brand episode has made clear – they are many ways a sign that the left – defined as an agent in a class struggle – has all but disappeared.”

“Inside the Vampires’ Castle”

“The first configuration is what I came to call the Vampires’ Castle.”

“The Vampires’ Castle specialises in propagating guilt. It is driven by a priest’s desire to excommunicate and condemn, an academic-pedant’s desire to be the first to be seen to spot a mistake, and a hipster’s desire to be one of the in-crowd.”

“The danger in attacking the Vampires’ Castle is that it can look as if – and it will do everything it can to reinforce this thought – that one is also attacking the struggles against racism, sexism, heterosexism.”

“But, far from being the only legitimate expression of such struggles, the Vampires’ Castle is best understood as a bourgeois-liberal perversion and appropriation of the energy of these movements.”

“The Vampires’ Castle was born the moment when the struggle not to be defined by identitarian categories became the quest to have ‘identities’ recognised by a bourgeois big Other.”

“The privilege I certainly enjoy as a white male consists in part in my not being aware of my ethnicity and my gender, and it is a sobering and revelatory experience to occasionally be made aware of these blind-spots.”

“But, rather than seeking a world in which everyone achieves freedom from identitarian classification, the Vampires’ Castle seeks to corral people back into identi-camps, where they are forever defined in the terms set by dominant power, crippled by self-consciousness and isolated by a logic of solipsism which insists that we cannot understand one another unless we belong to the same identity group.”

“the Vampires’ Castle uses an ultimately liberal understanding of race and gender to obfuscate class.”

“In all of the absurd and traumatic twitterstorms about privilege earlier this year it was noticeable that the discussion of class privilege was entirely absent.”

“The task, as ever, remains the articulation of class, gender and race – but the founding move of the Vampires’ Castle is the dis-articulation of class from other categories.”

“The problem that the Vampires’ Castle was set up to solve is this: how do you hold immense wealth and power while also appearing as a victim, marginal and oppositional?”

“The solution was already there – in the Christian Church.”

“So the VC has recourse to all the infernal strategies, dark pathologies and psychological torture instruments Christianity invented, and which Nietzsche described in The Genealogy of Morals.”

“This priesthood of bad conscience, this nest of pious guilt-mongers, is exactly what Nietzsche predicted when he said that something worse than Christianity was already on the way. Now, here it is …”

“The Vampires’ Castle feeds on the energy and anxieties and vulnerabilities of young students, but most of all it lives by converting the suffering of particular groups – the more ‘marginal’ the better – into academic capital.”

“The most lauded figures in the Vampires’ Castle are those who have spotted a new market in suffering – those who can find a group more oppressed and subjugated than any previously exploited will find themselves promoted through the ranks very quickly.”

“The first law of the Vampires’ Castle is: individualise and privatise everything.”

“While in theory it claims to be in favour of structural critique, in practice it never focuses on anything except individual behaviour.”

“The actual ruling class propagates ideologies of individualism, while tending to act as a class. (Many of what we call ‘conspiracies’ are the ruling class showing class solidarity.)”

“The VC, as dupe-servants of the ruling class, does the opposite: it pays lip service to ‘solidarity’ and ‘collectivity’, while always acting as if the individualist categories imposed by power really hold.”

“Because they are petit-bourgeois to the core, the members of the Vampires’ Castle are intensely competitive, but this is repressed in the passive aggressive manner typical of the bourgeoisie. What holds them together is not solidarity, but mutual fear – the fear that they will be the next one to be outed, exposed, condemned.”

“The second law of the Vampires’ Castle is: make thought and action appear very, very difficult.”

“There must be no lightness, and certainly no humour.”

“Humour isn’t serious, by definition, right?”

“Thought is hard work, for people with posh voices and furrowed brows. Where there is confidence, introduce scepticism. Say: don’t be hasty, we have to think more deeply about this. Remember: having convictions is oppressive, and might lead to gulags.”

“The third law of the Vampires’ Castle is: propagate as much guilt as you can.”

“The more guilt the better. People must feel bad: it is a sign that they understand the gravity of things. It’s OK to be class-privileged if you feel guilty about privilege and make others in a subordinate class position to you feel guilty too. You do some good works for the poor, too, right?”

“The fourth law of the Vampires’ Castle is: essentialize.”

“While fluidity of identity, pluarity and multiplicity are always claimed on behalf of the VC members – partly to cover up their own invariably wealthy, privileged or bourgeois-assimilationist background – the enemy is always to be essentialized.”

“The fifth law of the Vampires’ Castle: think like a liberal (because you are one).”

“The VC’s work of constantly stoking up reactive outrage consists of endlessly pointing out the screamingly obvious: capital behaves like capital (it’s not very nice!), repressive state apparatuses are repressive. We must protest!”

“Neo-anarchy in the UK”

“The second libidinal formation is neo-anarchism.”

“those who identify as anarchists but whose involvement in politics extends little beyond student protests and occupations, and commenting on Twitter”

“They are also overwhelmingly young: in their twenties or at most their early thirties, and what informs the neo-anarchist position is a narrow historical horizon.”

“Neo-anarchists have experienced nothing but capitalist realism.”

“By the time the neo-anarchists had come to political consciousness – and many of them have come to political consciousness remarkably recently, given the level of bullish swagger they sometimes display – the Labour Party had become a Blairite shell, implementing neo-liberalism with a small dose of social justice on the side.”

“the problem with neo-anarchism is that it unthinkingly reflects this historical moment rather than offering any escape from it. It forgets, or perhaps is genuinely unaware of, the Labour Party’s role in nationalising major industries and utilities or founding the National Health Service.”

“Neo-anarchists will assert that ‘parliamentary politics never changed anything’, or the ‘Labour Party was always useless’ while attending protests about the NHS, or retweeting complaints about the dismantling of what remains of the welfare state.”

“Purism shades into fatalism; better not to be in any way tainted by the corruption of the mainstream, better to uselessly ‘resist’ than to risk getting your hands dirty.”

“It’s not surprising, then, that so many neo-anarchists come across as depressed. This depression is no doubt reinforced by the anxieties of postgraduate life, since, like the Vampires’ Castle, neo-anarchism has its natural home in universities, and is usually propagated by those studying for postgraduate qualifications, or those who have recently graduated from such study.”

“Why have these two configurations come to the fore?”

“The first reason is that they have been allowed to prosper by capital because they serve its interests.”

“The second reason is what Jodi Dean has called communicative capitalism. It might have been possible to ignore the Vampires’ Castle and the neo-anarchists if it weren’t for capitalist cyberspace.”

“So what can we do now?”

“First of all, it is imperative to reject identitarianism, and to recognise that there are no identities, only desires, interests and identifications.”

“Instead of freezing people into chains of already-existing equivalences, the point was to treat any articulation as provisional and plastic. New articulations can always be created. No-one is essentially anything.”

“Sadly, the right act on this insight more effectively than the left does.”

“But the rejection of identitarianism can only be achieved by the re-assertion of class.”

“A left that does not have class at its core can only be a liberal pressure group.”

“Class consciousness is always double: it involves a simultaneous knowledge of the way in which class frames and shapes all experience, and a knowledge of the particular position that we occupy in the class structure.”

“It must be remembered that the aim of our struggle is not recognition by the bourgeoisie, nor even the destruction of the bourgeoisie itself. It is the class structure – a structure that wounds everyone, even those who materially profit from it – that must be destroyed.”

“The interests of the working class are the interests of all; the interests of the bourgeoisie are the interests of capital, which are the interests of no-one.”

“Our struggle must be towards the construction of a new and surprising world, not the preservation of identities shaped and distorted by capital.”

“If this seems like a forbidding and daunting task, it is. But we can start to engage in many prefigurative activities right now.”

“Actually, such activities would go beyond pre-figuration – they could start a virtuous cycle, a self-fulfilling prophecy in which bourgeois modes of subjectivity are dismantled and a new universality starts to build itself.”

“We need to learn, or re-learn, how to build comradeship and solidarity instead of doing capital’s work for it by condemning and abusing each other.”

“This doesn’t mean, of course, that we must always agree – on the contrary, we must create conditions where disagreement can take place without fear of exclusion and excommunication.”

“We must break out of the ‘debate’ that communicative capitalism in which capital is endlessly cajoling us to participate in, and remember that we are involved in a class struggle.”

“The goal is not to ‘be’ an activist, but to aid the working class to activate – and transform – itself.”

“Outside the Vampires’ Castle, anything is possible.”

“Mark Fisher is the author of Capitalist Realism and the forthcoming Ghosts of my Life: Writings on Depression, Hauntology and Lost Futures (both published by Zer0 books, where he is now a Commissioning Editor). His writing has appeared in a wide variety of publications, including Film Quarterly, The Wire, The Guardian and Frieze. He is Programme Leader of the MA in Aural and Visual Cultures at Goldsmiths, University of London and a lecturer at the University of East London.”


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