“2.2.7 Care
The introduction of the ‘they’ is followed by a further layer of interpretation in which Heidegger understands Being-in-the-world in terms of (what he calls) thrownness, projection and fallen-ness, and (interrelatedly) in terms of Dasein as a dynamic combination of disposedness, understanding and fascination with the world. In effect, this is a reformulation of the point that Dasein is the having-to-be-open, i.e., that it is an a priori structure of our existential constitution that we operate with the capacity to take-other-beings-as. Dasein’s existence (ek-sistence) is thus now to be understood by way of an interconnected pair of three-dimensional unitary structures: thrownness-projection-fallen-ness and disposedness-understanding-fascination. Each of these can be used to express the “formally existential totality of Dasein’s ontological structural whole” (Being and Time42: 237), a phenomenon that Heidegger also refers to as disclosedness or care. Crucially, it is with the configuration of care that we encounter the first tentative emergence of temporality as a theme inBeing and Time, since the dimensionality of care will ultimately be interpreted in terms of the three temporal dimensions: past (thrownness/disposedness), future (projection/understanding), and present (fallen-ness/fascination).
As Dasein, I ineluctably find myself in a world that matters to me in some way or another. This is what Heidegger calls thrownness (Geworfenheit), a having-been-thrown into the world. ‘Disposedness’ is Kisiel’s (2002) translation of Befindlichkeit, a term rendered somewhat infelicitously by Macquarrie and Robinson as ‘state-of-mind’. Disposedness is the receptiveness (the just finding things mattering to one) of Dasein, which explains why Richardson (1963) rendersBefindlichkeit as ‘already-having-found-oneself-there-ness’. To make things less abstract, we can note that disposedness is the a priori transcendental condition for, and thus shows up pre-ontologically in, the everyday phenomenon of mood (Stimmung). According to Heidegger’s analysis, I am always in some mood or other. Thus say I’m depressed, such that the world opens up (is disclosed) to me as a sombre and gloomy place. I might be able to shift myself out of that mood, but only to enter a different one, say euphoria or lethargy, a mood that will open up the world to me in a different way. As one might expect, Heidegger argues that moods are not inner subjective colourings laid over an objectively given world (which at root is why ‘state-of-mind’ is a potentially misleading translation of Befindlichkeit, given that this term names the underlying a priori condition for moods). For Heidegger, moods (and disposedness) are aspects of what it means to be in a world at all, not subjective additions to that in-ness. Here it is worth noting that some aspects of our ordinary linguistic usage reflect this anti-subjectivist reading. Thus we talk of being in a mood rather than a mood being in us, and we have no problem making sense of the idea of public moods (e.g., the mood of a crowd). In noting these features of moods we must be careful, however. It would be a mistake to conclude from them that moods are external, rather than internal, states. A mood “comes neither from ‘outside’ nor from ‘inside’, but arises out of Being-in-the-world, as a way of such being” (Being and Time 29: 176). Nevertheless, the idea that moods have a social character does point us towards a striking implication of Heidegger’s overall framework: with Being-in-the-world identified previously as a kind of cultural co-embeddedness, it follows that the repertoire of world-disclosing moods in which I might find myself will itself be culturally conditioned. (For recent philosophical work that builds, in part, on Heidegger’s treatment of moods, in order to identify and understand certain affective phenomena—dubbed ‘existential feelings’—that help us to understand various forms of psychiatric illness, see Ratcliffe 2008.)
Dasein confronts every concrete situation in which it finds itself (into which it has been thrown) as a range of possibilities for acting (onto which it may project itself). Insofar as some of these possibilities are actualized, others will not be, meaning that there is a sense in which not-Being (a set of unactualized possibilities of Being) is a structural component of Dasein’s Being. Out of this dynamic interplay, Dasein emerges as a delicate balance of determination (thrownness) and freedom (projection). The projective possibilities available to Dasein are delineated by totalities of involvements, structures that, as we have seen, embody the culturally conditioned ways in which Dasein may inhabit the world. Understanding is the process by which Dasein projects itself onto such possibilities. Crucially, understanding as projection is not conceived, by Heidegger, as involving, in any fundamental way, conscious or deliberate forward-planning. Projection “has nothing to do with comporting oneself towards a plan that has been thought out” (Being and Time31: 185). The primary realization of understanding is as skilled activity in the domain of the ready-to-hand, but it can be manifested as interpretation, when Dasein explicitly takes something assomething (e.g., in cases of disturbance), and also as linguistic assertion, when Dasein uses language to attribute a definite character to an entity as a mere present-at-hand object. (NB: assertion of the sort indicated here is of course just one linguistic practice among many; it does not in any way exhaust the phenomenon of language or its ontological contribution.) Another way of putting the point that culturally conditioned totalities of involvements define the space of Dasein’s projection onto possibilities is to say that such totalities constitute the fore-structures of Dasein’s practices of understanding and interpretation, practices that, as we have just seen, are projectively oriented manifestations of the taking-as activity that forms the existential core of Dasein’s Being. What this tells us is that the hermeneutic circle is the “essential fore-structure of Dasein itself” (Being and Time 32: 195).
Thrownness and projection provide two of the three dimensions of care. The third is fallen-ness. “Dasein has, in the first instance, fallen away from itself as an authentic potentiality for Being its Self, and has fallen into the world” (Being and Time 38: 220). Such fallen-ness into the world is manifested in idle talk (roughly, conversing in a critically unexamined and unexamining way about facts and information while failing to use language to reveal their relevance), curiosity (a search for novelty and endless stimulation rather than belonging or dwelling), and ambiguity (a loss of any sensitivity to the distinction between genuine understanding and superficial chatter). Each of these aspects of fallen-ness involves a closing off or covering up of the world (more precisely, of any real understanding of the world) through a fascination with it. What is crucial here is that this world-obscuring process of fallen-ness/fascination, as manifested in idle talk, curiosity and ambiguity, is to be understood as Dasein’s everyday mode of Being-with. In its everyday form, Being-with exhibits what Heidegger calls levelling or averageness—a “Being-lost in the publicness of the ‘they’ ” (Being and Time 38: 220). Here, in dramatic language, is how he makes the point.
In utilizing public means of transport and in making use of information services such as the newspaper, every Other is like the next. This Being-with-one-another dissolves one’s own Dasein completely into a kind of Being of ‘the Others’, in such a way, indeed, that the Others, as distinguishable and explicit, vanish more and more. In this inconspicuousness and unascertainability, the real dictatorship of the ‘they’ is unfolded. We take pleasure and enjoy ourselves as they take pleasure; we read, see, and judge about literature and art as they see and judge; likewise we shrink back from the ‘great mass’ as they shrink back; we find ‘shocking’ what they find shocking. The ‘they’, which is nothing definite, and which all are, though not as the sum, prescribes the kind of Being of everydayness. (Being and Time 27: 164)
This analysis opens up a path to Heidegger’s distinction between the authentic self and its inauthentic counterpart. At root, ‘authentic’ means ‘my own’. So the authentic self is the self that is mine (leading a life that, in a sense to be explained, is owned by me), whereas the inauthentic self is the fallen self, the self lost to the ‘they’. Hence we might call the authentic self the ‘mine-self’, and the inauthentic self the ‘they-self’, the latter term also serving to emphasize the point that fallen-ness is a mode of the self, not of others. Moreover, as a mode of the self, fallen-ness is not an accidental feature of Dasein, but rather part of Dasein’s existential constitution. It is a dimension of care, which is the Being of Dasein. So, in the specific sense that fallen-ness (the they-self) is an essential part of our Being, we are ultimately each to blame for our own inauthenticity (Sheehan 2002). Of course, one shouldn’t conclude from all this talk of submersion in the ‘they’ that a state of authenticity is to be achieved by re-establishing some version of a self-sufficient individual subject. As Heidegger puts it: “Authentic Being-one’s-Self does not rest upon an exceptional condition of the subject, a condition that has been detached from the ‘they’; it is rather an existentiell modification of the ‘they’ ” (Being and Time 27: 168). So authenticity is not about being isolated from others, but rather about finding a different way of relating to others such that one is not lost to the they-self. It is in Division 2 of Being and Time that authenticity, so understood, becomes a central theme.”